{"id":4991,"date":"2017-03-08T11:15:57","date_gmt":"2017-03-08T19:15:57","guid":{"rendered":"http:\/\/www.lifeinfullcolor.com\/?p=4991"},"modified":"2017-03-08T12:00:41","modified_gmt":"2017-03-08T20:00:41","slug":"march-8-2017-art","status":"publish","type":"post","link":"https:\/\/www.lifeinfullcolor.com\/dev\/life-stories\/march-8-2017-art\/","title":{"rendered":"March 8, 2017 &#8211; Who is our art for?"},"content":{"rendered":"<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_left\"><div class=\"fcbkbttn_button\">\n                            <a href=\"https:\/\/www.facebook.com\/\" target=\"_blank\">\n                                <img decoding=\"async\" src=\"https:\/\/www.lifeinfullcolor.com\/dev\/wp-content\/plugins\/facebook-button-plugin\/images\/standard-facebook-ico.png\" alt=\"Fb-Button\" \/>\n                            <\/a>\n                        <\/div><div class=\"fcbkbttn_like \"><fb:like href=\"https:\/\/www.lifeinfullcolor.com\/dev\/life-stories\/march-8-2017-art\/\" action=\"like\" colorscheme=\"light\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><\/div><div id=\"attachment_4993\" style=\"width: 601px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.lifeinfullcolor.com\/wp-content\/uploads\/2017\/03\/plumeria-wip-3-8-17.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4993\" class=\"wp-image-4993\" src=\"http:\/\/www.lifeinfullcolor.com\/wp-content\/uploads\/2017\/03\/plumeria-wip-3-8-17.jpg\" alt=\"\" width=\"591\" height=\"294\" srcset=\"https:\/\/www.lifeinfullcolor.com\/dev\/wp-content\/uploads\/2017\/03\/plumeria-wip-3-8-17.jpg 600w, https:\/\/www.lifeinfullcolor.com\/dev\/wp-content\/uploads\/2017\/03\/plumeria-wip-3-8-17-300x149.jpg 300w, https:\/\/www.lifeinfullcolor.com\/dev\/wp-content\/uploads\/2017\/03\/plumeria-wip-3-8-17-200x99.jpg 200w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><\/a><p id=\"caption-attachment-4993\" class=\"wp-caption-text\">&#8220;Not yet done, but getting there. The clusters of water drops are a challenge, but I&#8217;m loving working with these colors.&#8221;<\/p><\/div>\n<p>I\u2019ve become a new fan of the singer-songwriter Sara Barielles, after hearing her gorgeous and soulful version of Elton John\u2019s \u201cGoodbye Yellow Brick Road.\u201d\u00a0 An evening last week I was looking for something to listen to while painting and I came upon an hour and a half concert on YouTube of Sara singing songs from a new musical called \u201cWaitress\u201d based on an indie film from 2007 about an unhappy waitress and pie baker.\u00a0 Sara Barielles has written the words and music for all the songs.\u00a0 About halfway through this concert she sang a song from \u201cWaitress\u201d that I\u2019ve not been able to stop playing \u2013 both in my mind and on my electronic devices.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=53GIADHxVzM\" target=\"_blank\">\u201cShe Used to Be Mine\u201d<\/a> is the main character\u2019s emotional anthem.\u00a0 I hear in the words and feel in the music something of every feminine-oriented being\u2019s story (female or not).\u00a0 To me it reveals what it is like to be someone who finds their worth and safety in being an accommodator, a pleaser in a world that isn\u2019t built for them &#8211; a world where being vulnerable and uncertain of oneself comes at a cost.\u00a0 The song mostly speaks a former version of me \u2013 when I was in my 30\u2019s and facing that my life wasn\u2019t going to go as I\u2019d dreamed it would, even though I thought I had done everything right.\u00a0 That it didn\u2019t lead to my growth, transformation and set me on my spiritual path.\u00a0 So, from the vantage point of today I\u2019m not wishing that it had gone any differently.\u00a0 But I don\u2019t remember ever feeling so <em>met<\/em> in the loneliness that part of me felt.\u00a0 Even today, my experience is that our culture doesn\u2019t have much room for people with my sensibilities.\u00a0 There is something in this song that recognizes this too.<\/p>\n<p>Me being me \u2013 living my life out loud \u2013 I\u2019ve been sharing this song and my experience of it with the women in my life \u2013 including my three watercolor groups.\u00a0 The response to the song has ranged from much like mine, feeling like it changed something inside, to a simple appreciation for her strong and beautiful voice.\u00a0 The two artists in our Thursday evening group were both so moved that they asked that we not play any other music for a while. We ended up listening to the song five times \u2013 and nothing else &#8211; all evening.\u00a0 Ok, so it\u2019s not just me.\u00a0 But my dear friend Vicki \u2013 not so much.\u00a0 She gently asked:\u00a0 \u201cok, so what exactly is it about this song that touches you?\u201d\u00a0 I had to laugh.\u00a0 There\u2019s hardly anyone I share with more deeply and unguardedly and she\u2019s not one of us who this song was written for!\u00a0 This has had me thinking about art and how it impacts us \u2013 in a couple of ways.<\/p>\n<p>First we must give ourselves permission to create what is in us.\u00a0 If Sara Barielles were to edit herself and only write songs that were edgy and irreverent \u2013 avoiding writing a \u201csentimental ballad\u201d (as this song was described in Wikipedia) such as this song, then those of us who were so touched by it would not have had the experience of feeling so met and seen.\u00a0 To us this song is an enormous gift.\u00a0 I have been given this advice \u2013 to edit myself.\u00a0 It\u2019s been suggested that I paint for the \u201cmarket\u201d: more abstract, in oil on canvas, more textured, pet portraiture \u2013 in order to make a commercial success of my art-making. This is what Steven Pressfield calls being a \u201chack.\u201d\u00a0 As true artists, we follow our muses and trust that there will be someone, somewhere who we\u2019ve painted this for.\u00a0 In my own work, I took an in-progress painting that had been cast aside, hanging out in my studio for a couple of years, and by changing the colors and composition so they <em>really<\/em> pleased me, it became the painting I named \u201cFirelight.\u201d\u00a0 When my coach Lissa saw it on her computer screen it triggered her to weep \u2013 for 20 straight minutes.\u00a0 When she lost her beloved husband a year earlier, she also lost her connection to desire.\u00a0 Something in \u201cFirelight\u201d reconnected her \u2013 her tears were tears of relief.\u00a0 Vicki saw in \u201cParis Roses\u201d a feminine strength; Carol sees her two children in \u201cTwin Dahlias.\u201d\u00a0 There is this magic with art in how it connects artist to those who it is created for \u2013 and we artists cannot know the impact our work will have.<\/p>\n<p>Still, I can find myself questioning that the art I\u2019m making isn\u2019t \u201cdifferent\u201d enough.\u00a0 There is a strong message in our culture that we must be inventive, we must do something that has never been done for our art to be of merit.\u00a0 In this vein there is some really outrageous work made in the name of \u201cart.\u201d Modern art museums are full of it.\u00a0 There is nothing that can stop innovation \u2013 it <em>is<\/em> evolution \u2013 but I\u2019m all for not losing soul in the process.\u00a0 IIain McGilchrist says this:\u00a0 \u201cWe confuse novelty with newness.\u00a0 No one ever decided not to fall in love because it\u2019s been done before, or because its expressions are banal. They are both as old as the hills and completely fresh in every case of genuine love.\u201d\u00a0 Flowers, beauty \u2013 the subjects I\u2019ve been drawn to paint have been painted millions of times before, but never by <em>this<\/em> artist, who is living \u2013 who is alive \u2013 in <em>this<\/em> moment.\u00a0 If we bring ourselves genuinely to our creating, the art we make is just as fresh.<\/p>\n<p>The next thing is that for each of us our audience is particular.\u00a0 In addition to those who love and are moved by our work, we must expect that there will be those who are lukewarm to what we do <em>and<\/em> those who will criticize it.\u00a0 A Wikipedia contributor called \u201cShe Used to Be Mine\u201d \u201csentimental\u201d \u2013 which I read as dismissive &#8211; while others were stopped in their tracks by it &#8211; see some of the comments below the YouTube video.\u00a0 As I\u2019ve learned from Tara Sophia Mohr, it\u2019s useful to view feedback as 100% about the giver of it.\u00a0 Though we yearn for and even need to have some kind of acceptance of what we make, there is this peculiar paradox:\u00a0 our work is a reflection of us <em>and<\/em> it also has its own life.\u00a0 Just like a child \u2013 who can look like her parents, but she is not an extension of them, she is separate and has her own soul and life force.<\/p>\n<p>I\u2019m discovering the path is to both embrace our sensitivity and develop the courage to risk revealing ourselves \u2013 our souls.\u00a0 It is how I\u2019ve been able to not just take my art from plastic bags under my bed and show it to the whole world, but also to recover from paralyzing stage fright and step up in the face of my fear that I had no idea how to be a teacher or leader.\u00a0 This song is not uplifting \u2013 it doesn\u2019t have a happy ending.\u00a0 Its singer is still lost.\u00a0 But it\u2019s my experience that once I\u2019ve let myself really <em>be<\/em> lost, something else &#8211; previously unimaginable &#8211; emerges.\u00a0 I left a destructive marriage freeing me to accept an opportunity to live in Paris.\u00a0 I felt my childless grief, propelling me to find another way to make a life that mattered.\u00a0 My way is the way of beauty, my Sister Mary told me last week. If you are here with me, it is likely yours too \u2013 whether you make art or not.\u00a0 We make our art \u2013 we do our work &#8211; for those who are there to receive it and the rest is really none of our business.\u00a0 Makes it easy, doesn\u2019t it?<\/p>\n<p>In beauty \u2013 and with my love,<\/p>\n<p>Cara<\/p>\n ","protected":false},"excerpt":{"rendered":"<p>I\u2019ve become a new fan of the singer-songwriter Sara Barielles, after hearing her gorgeous and soulful version of Elton John\u2019s \u201cGoodbye Yellow Brick Road.\u201d\u00a0 An evening last week I was looking for something to listen to while painting and I came upon an hour and a half concert on YouTube of Sara singing songs from [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[29],"tags":[],"class_list":["post-4991","post","type-post","status-publish","format-standard","hentry","category-life-stories"],"jetpack_publicize_connections":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>March 8, 2017 - Who is our art for? 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